The Grateful Dead's second live release was an eponymously titled double LP whose cover bears the striking skull-and-roses visual motif that would become instantly recognizable and an indelibly linked trademark of the band. As opposed to their debut concert recording, Live/Dead (1969), this hour and ten minutes concentrates on newer material, which consisted of shorter self-contained originals and covers. Coming off of the quantum-leap success of the studio country-rock efforts Workingman's Dead (1969) and American Beauty, Grateful Dead offers up a pair of new Jerry Garcia/Robert Hunter compositions -- "Bertha" and "Wharf Rat" -- both of which garnered a permanent place within the band's live catalog. However, "The Other One" -- joined in progress just as Billy Kreutzmann fires up a blazing percussion solo -- sprawls as the album's centerpiece. The Dead also begin incorporating several traditional folk, blues, and R&B cover tunes, such as Merle Haggard's "Mama Tried," Kris Kristofferson's "Me & Bobby McGee," as well as a few that had been in their songbook for several years, including John Phillips' "Me & My Uncle" and "Big Boss Man," a blues standard popularized by Jimmy Reed. Their formidable improvisational chops have begun to take on new facets of lean intricacy as Mickey Hart (percussion) and Tom Constanten (keyboards) were no longer in the band. Additionally, the arrival of Keith Godchaux (organ) and his wife, Donna Godchaux (vocals), had yet to occur. As such, the Grateful Dead spent the spring and summer of 1971 in their original five-piece configuration -- which is when these recordings were documented. The Golden Road (1965-1973) (2001) box set features a remastered version of Grateful Dead and includes two additional covers -- Buddy Holly's "Oh, Boy!" as well as Leiber & Stoller's "(I'm A) Hog for You" -- plus an unmarked vintage radio spot for the album. Enthusiasts should note that this era is likewise represented on the four-CD Ladies and Gentlemen...The Grateful Dead (2000) archival release.
The Skull & Roses collection is inspired by one of the most popular motifs that represents the eternal struggle of good vs evil. The pen features a ring of skulls around the centre of the pen body surrounded in thorny roses sprawling across the rest of the barrel.
Skull and Roses
The striking skull and roses cover image originates from a black and white illustration by Edmund Sullivan taken from a nineteenth century edition of The Rubaiyat of Omar Khayyam. Kelly added coloring and lettering to produce a poster for a Dead show at the Avalon in 1966.
For the Harley enthusiast, we have made one of our most intricate designs. Our Harley Davidson Skull Roses sign has a cool factor that is off the charts. With a skull balanced by the roses all encompassing the center piece, this sign has a perfectly balanced appearance for your wall.
Skulls have been a powerful symbol throughout human history. Despite the most obvious reference, they have also been used to represent bravery, rebellion, the cycles of nature, and the importance of living each day to the fullest. In the Victorian Era, wearing jewelry depicting skulls was a way to celebrate lost loved ones and a reminder of the wearer's own mortality. 2ff7e9595c
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